
10 tracks · 44 min
one bright afternoon in 1871, too feeble to sit for her portrait, anna whistler went down the thames with her son. that evening, at the studio window, she told him it was “yet light enough” to make a moonlight picture of the thames. this follows that hour, from the river by day to the moon at the window and the night pictures he came to call nocturnes, and ends on the word a child gave her portrait: peace.
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